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serpentines

from reverie by Mi von Ahn

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about

Taken from the album "reverie"

lyrics

darkness covers up the whole frame a light is pushing in
between high banks the car sway serpentines from above
i always wanted to stay but i always kind of left
time will scare you, i assure you this time will scare you, i assure you this
a light is pushing in
between high banks the car sway serpentines from above
i want to stay right here
but i think we're fading slow
time will scare you, i assure you this time will scare you, i assure you this
i've been dreaming of serpentines from above i might not ever want to arrive
i've been dreaming of serpentines
in the electric glow of the lamppost warm tones in the cold
the sharp shadow across your face you've never been more clear when you said to me
i want to stay right here
time will scare you, i assure you this
i want to stay right here but we're fading slow time will scare you, i assure you this
i want to stay right here but we're fading slow
i've been dreaming of serpentines from above i might not ever want to arrive
i've been dreaming of serpentines
i've been dreaming of serpentines
we're fading slow we're fading slow we're fading slow we're fading slow we're fading slow we're fading slow we're fading slow we're fading slow

credits

from reverie, released March 25, 2022
written and produced by mi von ahn

recorded in sweden between 2019-2021 at studio k51 in stockholm by axel jonsson stridbeck, studio lodetta in stockholm by mathias zachrisson, studio sickan in malmö by erik klinga and living room recordings in umeå by mi von ahn

mixed by axel jonsson stridbeck and mastered by erik holmberg at studio k51.

art direction and design by hugo sundkvist. photography by lovisa dahlqvist.

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about

Mi von Ahn Sweden

Swedish singer/songwriter Mi von Ahn back with new second album “reverie” March 25, 2022.

Mi von Ahn creates suggestive and ambient indiepop with a barren and beautiful melancholy.
The lyrics are permeated by the down-to-earth seriousness that characterizes her person.

Clash Magazine describes the music as "Driving, inspiring, and moving ..." and draws parallels to The War On Drugs.
... more

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